‘Loving Pablo:’ A tragic love story fueled by drug money

Penelope Cruz and Javier Bardem have been paired together onscreen for years. (Supplied)
Updated 17 sec ago
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‘Loving Pablo:’ A tragic love story fueled by drug money

CHENNAI: Penelope Cruz and Javier Bardem have been paired together onscreen for years now — from 1992’s “Jamón Jamón” to Woody Allen's 2008 comedy-drama “Vicky Christina Barcelona” and most recently in Asghar Farhadi’s Cannes opening, “Everybody Knows” — and their chemistry has not subsided.

Set to hit UAE theaters on June 28 after it premiered at the 74th Venice Film Festival in September, director Fernando León de Aranoa’s “Loving Pablo” is all fire and fury as it follows the story of not just the drug racket in Colombia, but also the burning, passionate relationship between the country's cocaine lord, Pablo Escobar (Bardem), and his television journalist lover, Virginia Vallejo (Cruz). She finds herself attracted to him after an interview session and he plays the perfect gentlemanly lover, even as he floods the American market with cocaine. The film reveals the Jekyll and Hyde personas of Escobar — he teaches his young son never to touch the drug he has made millions peddling, but becomes ruthless when Vallejo grows desperate in her love and demands more from him.

Inspired by the book “Loving Pablo, Hating Escobar,” in which Vallejo details her intimate years with Escobar between 1983 and 1987, the film explores the seedy world of the drug baron.

It is somewhat of a biopic and traces his life from humble beginnings to his position as a Colombian kingpin, and eventually to his downfall. However, even while detailing the somber story of a tragically hopeless romance, the director managed to lighten the narrative with, among other devices, a scene where the pot-bellied Escobar runs stark naked through the jungles of South America, a rifle in hand and his bare bottom bouncing in the breeze.

Though the movie has been told from Vallejo's perspective, Escobar remains paramount to the plot.  Even so, what remains etched in the viewer’s memory is her life, which swings like a wild pendulum from pleasure to pain, from ecstasy to anguish.


New ‘Banksy’ mural of veiled woman in mourning appears next to Bataclan in Paris

Updated 26 June 2018
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New ‘Banksy’ mural of veiled woman in mourning appears next to Bataclan in Paris

Paris-An image of a woman veiled in mourning appeared next to the Bataclan concert hall in Paris Monday, the latest attributed to the mysterious British street artist Banksy.
The stencilled mural next to the emergency exit from which hundreds fled the massacre by jihadist gunman in 2015, is the eighth apparently created by the artist in the French capital in recent days.
Ninety people died inside the venue in the attack claimed the Daesh group during a concert by the US group Eagles of Death Metal.
Some saw the piece as a poignant farewell to the city by the world’s most famous graffiti artist, who earlier took aim at the French government’s crackdown on migrants in another more elaborate work close to a former refugee reception center.
It shows a young black girl spraying a pink wallpaper pattern over a swastika on a wall next to her sleeping bag and teddy bear in an attempt to make her patch of pavement more cosy.
Eritrean refugees Ibrahim and Goitom, who have been sleeping next to the mural at Porte de la Chapelle in northern Paris, said they had never heard of Banksy.
After being told that the artist’s work has sold for more than $1 million, Ibrahim — who said he could not remember when he had last slept in a bed — said that he would protect it.

The refugee cause 

“You can tell Mister Banksy that we will look after it. We will not let anyone touch it,” he told AFP Sunday.
“He is trying to help refugees. No many people want to help us.”
Nevertheless, part of the mural was sprayed with blue paint on Sunday night, covering the swastika and the girl’s head and torso.
Fans of the artist started covering some of the other new works with Plexiglass on Monday to protect them.
Banksy, a long-time supporter of the refugee cause, has yet to confirm the works are his.
The refugee shelter known as “The Bubble” was controversially closed in March despite protests from the city’s Socialist mayor Anne Hidalgo.
She hailed Banksy’s intervention Monday. “Sometimes an image is worth a thousand words. Humanity and pragmatism rather than populism,” she tweeted in a dig at French President Emmanuel Macron, who had argued the shelter was making Paris a magnet for migrants.
Since its closure around 2,000 migrants, including children and teenagers, have been sleeping rough along canals and under motorway bridges.
Banksy, who often makes powerful political messages through his work, has never before worked in Paris.
However, he crossed the English Channel to paint in the northern port of Calais in 2015, where a number of “Jungle” camps built by migrants trying to get to Britain have been razed by the authorities.
One mural, “The Son of a Migrant from Syria,” depicted Apple co-founder Steve Jobs — who was of Syrian descent — carrying a knapsack and an Apple computer.

France’s niqab ban

The biggest of the new works in Paris shows Napoleon rearing his horse as he crosses the Alps to invade Italy in 1800, his face and body wrapped in his red cloak.
The pastiche of David’s canvass, one of the most iconic in French 19th-century art, has been taken as a cutting take on France’s ban on the niqab and other Islamic veils that cover the face.
Another image near the Sorbonne university on the Left Bank — which was rocked by a student uprising 50 years ago — appeared to be a dig at the death of French revolutionary spirit.
One of Banksy’s trademark rats — his avatar for wronged ordinary people — sits under the legend “May 1968” wearing a Minnie Mouse bow. The Disneyland Paris theme park just outside the French capital is now one of its biggest employers.
A nearby mural in the Latin Quarter shows a businessman or a politician in a suit offering a dog a bone having first sawn the animal’s leg off.
Two more Banksy rats appear in further images discovered this weekend, one dynamiting a road sign and another riding a popped cork from a champagne bottle.
Art historian and street art expert Paul Ardenne told AFP that the Paris murals were very much in Banksy’s style.
“The color, the line, the subject and the way he has adapted the images from photos... all point to them being his. There is a very particular signature. If (the mural of the girl) is not by Banksy, it is a very good copy,” he said.
Many believe Banksy to be musician Robert Del Naja, a 52-year-old member of the Bristol-based trip hop trio Massive Attack.
The band are playing the French city of Lyon on Sunday.